Two cool projects: a pixellated gush of water from an old downspout and a plastic-bag Loch Ness Monster constructed over a subway vent so it “comes alive” every time a train rushes by underground.

The first, Gawker reports, was NYU student Kelly Goeller’s assignment for Intro to Sculpture. The other, which I found via Wooster Collective, is a piece by Joshua Allen Harris (who also did the plastic-bag polar bear) best understood by watching a YouTube clip:

These are the things that make me love NY….

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Resist! … by knitting? Indeed: Yarnbombing, it’s totally hip. Or something. And if you’ve got a great idea for “handcrafted textile street art” (see example above), you could even get published. Woot. Knitta Please has lots of great ideas to get you started.

Incidentally, I find these sorts of cultural interventions much more interesting than the increasingly obnoxious national conversation on feminism vis-a-vis Hillary. Am I dragging down the cause because I prefer the power of reimagining an activity traditionally associated with female isolation in the domestic sphere to campaigning for a candidate merely because we share the same type of genitals? Is my resistance too passive, and thus, in the most pejorative sense of the term, too feminine?

In preparation for my trip, I’ve been poking around the Interwebs for information about street culture in Guatemala. I love the idea of public art, sanctioned or unsanctioned, and it appears that there’s an active graffiti community in the country. Mi Mundo offers a vivid glimpse of this, as well as interesting commentary to contextualize the images. Wire Tap also has a story and interview on HIJOS (Hijos e Hijas por la Identidad y la Justicia contra el Olvido y el Silencio (Sons and Daughters for Identity and Justice against Oblivion and Silence), the group responsible for the graffiti.

(For kicks, a Flickr set of public art in India.)